So-called “superfamilies” offer a collection of different weights, styles, and classifications that are specifically designed to work together. Use Font Super FamiliesĪ sure-fire way to guarantee that two fonts will look great together is to use different fonts from the same typeface family. For example, two sans-serif fonts that are only subtly different. Typefaces will generally clash if they are too similar. When done right, contrasting fonts that are boldly different in style can bring out the best in each other, creating a rich visual diversity. By contrast, sans-serif fonts are modern with clean lines. Serif fonts are a little old-fashioned and traditional in how they look with their strokes at the edge of letters. This pairing works because of their strong contrast. It’s not unusual to see sans-serif fonts used for titles and serif fonts for body text. This means pairing different fonts that work together in harmony, with neither stealing the limelight.Ī classic pairing you’ll often see is a serif font with sans-serif font. When pairing fonts, you want to contrast and complement, but never conflict. There are a few golden rules to keep in mind when searching for the perfect font combination. Here, I’ve put together sure-fire tips to make font pairing less of a headache, 10 stunning examples of pairings to inspire you, and a brief list of resources you can bookmark for the next time you’re searching for ideas. Get it wrong and your words look messy and amateur. When you get font pairings right, it makes a website look much more dynamic and visually effective, ultimately, improving its ability to convert. It’s also one of the most frustrating and time-consuming tasks designers face when starting a new typography-driven project. Finding two typefaces that harmonize without looking samey, yet don’t look awkward together or fight for attention, is a fine art. But alas, not all fonts embrace the Scandi alphabet with it’s å, æ and ø possibilities (I’m looking at you Governor).10 Stunning Foolproof Font Pairings to Inspire Your Next Design Projectįont pairing is hard to get right. Consequently, there are certain fonts that capture the Scandinavian personality: clean, functional, beautiful, quirky as hell. There is a personality in every typeface. Lately, Brandon Grotesque has become the hit sensation and we’re loving it!įonts are a way to personify our words, giving even the most mundane text a layer of visual meaning. Danish hairdressers and locksmiths across the country have united in using white Broadway on black background on every sign (and I have no idea why). Indian restaurant menus favor Trajan Pro. Frutiger is used in almost every airport. These were exciting times for an 11-year-old.Īs I grew up, the font patterns emerged. As much as I like Matisse ITC, I didn’t want my teachers to think I was an anarchist. Soon afterwards, I joyfully upgraded from Office 95 fonts to the seemingly endless possibilities of Office 97. The labels on my school books were the height of avant-guarde cool thanks to Wingdings 3.0. My first love was Dom Casual when it eased my through my first poetry recital. Typography was something that I noticed from a young age. “More than life” is the somewhat concerning evaluation of my sister when I asked her if I actually did love typographical design quite that much. But as much as I try to pretend that I don’t drool over a nice slab serif, it’s time to face facts: I am one of those people. I honestly couldn’t imagine putting together a more pretentious article than: “My favourite minimalist fonts”.
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